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The Ektra's Ektar lenses, like most other lenses of this period were heavily influenced by the Tessar design and were created from designs and with manufacturing technology Kodak had developed in the 30s. While the formulae used were not novel, their implementation in the Ektar line was generally excellent for the period. Quality control in the Kodak manufacturing process was considered outstanding. The f/3.5 50mm is a standard Tessar type with four elements in three groups, with the last elements reversed in power from the original Tessar design. The f/3.5 90mm is a simplified version with three separate elements. The longest manufactured lens in the series, the f/4.5 153mm, has a double negative cemented pair behind the stop. The f/3.8 135mm uses a differently designed rear element, which may have been an original Kodak design. The f/3.5 35mm is a Heliar design by F. E. Altman of five elements in three groups, very similar to the f/3.5 100mm Ektar used on the Medalist. Apparently Kodak had planned a super tele of about 250mm, since the variable viewfinder has a setting for 254mm. Neither the glossy Ektra prospectus, published on the camera's release in 1941, nor the "Kodak Lenses" section of the Kodak Reference Manual, published originally in 1942, have any mention of this long lens, though I have heard unsubstantiated claims that there was at least one prototype. The f/1.9 50mm is a variation of the Biotar design, originally used in the f/2.0 45mm Ektar mounted on the Bantam Special. Of these lenses, the f/3.5 50mm and f/3.5 35mm are reputed to be the sharpest, with the f/1.9 50mm to have the poorest resolution and flare performance, a characteristic of most highspeed lenses of that period. All Ektra lenses attach to the body with a screw mount that locks when snug. Two keyways on the mount make lens orientation a no-brainer with the body in any position. While Kodak had begun treating air-glass surfaces in the late 30s. In material published for the Kodak Ektra, Kodak Medalist and Kodak Eastman Ektar 14" Kodak included statements like: "inner surfaces of the lenses are treated by a coating process that improves the clarity and brilliance of the negatives obtained." I can only find documented evidence of their widespread use of their Lumenized coating of magnesium fluoride in lens manufacture of the late in mid-1946. The Kodak publication Kodak Lenses and Shutters (1939), lens sections of the Kodak Reference Handbooks , printed in 1940 through 1945 do not include Lumenized lenses., while the An updated version of the Reference Handbook, published as one of the first separate Kodak Data Books in mid-1946 first introduces the term,"Lumenized". Kodak Lenses, Shutters and Portra Lenses, 3rd Edition (1948) describes the process, but no longer includes the Ektra lenses. We have since learnd from Rudolf
Kingslake's 1951 book, Lenses in Photography, that these first
inner coatings were of calcium fluroide. Kingslake had become the Director
of Optical Design for Kodak, and supervised these first coating operatins
as well as the experimentation with deposition and baking of alternative
fluroide coatings. Magnesium fluroide was eventually selected as the best
hardcoating and was applied variously to Kodak lenses through the war
years. This was eventually extended to all lens lines and was identified
company-wide as Lumenizing in 1946. Whether later Ektra Ektars ever had
this coating is for me an open question. Most lenses that are hard-coated
or 'Lumenized' will have an Kodak also manufactured and distributed
lenses for broadcast and industrial cameras. In some cases, Television
Ektanons |
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![]() 10/19/2010 12:58 |
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